![]() “Pleasure” was shot in 2018, at a time when the entertainment industry was only starting to develop standard practices around sex scenes and only a small number of production companies began requiring an intimacy coordinator’s expertise.įanni Metelius, one of Thyberg’s assistant directors, often stepped in to help Kappel mentally prepare. “They’re pros who understand how uncomfortable these things are and how to deal with it, but with regular actors we would’ve had to take care of everyone.”īut Thyberg recognizes how useful it would have been to have an intimacy coordinator. Very few people get to do that.”īoth Thyberg and Kappel praised the cast and crew’s efforts at ensuring Kappel’s peace of mind, with Thyberg noting how different it would have been had she not cast mostly porn actors, many of whom have experience with the camera and know tricks to make scenes look more believably real or brutal. But being able to relive those memories in a completely safe environment was cathartic. “Like many women, I’ve experienced abuse, so it was hard for me to return to that place. In Mank, Marion Davies' character is the focus of attention, too.“It might sound crazy, but that was the scene I enjoyed the most,” Kappel said. She's always going to look like the center of the universe." it's so symmetrical and it's so stunningly etched that when you get that light in the right place, you can be over her left shoulder, over her right shoulder, right profile, left profile, three-quarter, whatever. "And what her face rewards you with when you do that is. "It's the Marlene Dietrich light, which is a top light that is dead center over the bridge of her nose, says Fincher. Seyfried's photogenic face led him to light her in a special way for a dinner party scene. ![]() "One of the most striking physical characteristics of Marion Davies is those eyes," he says. "David didn't want the caricature, 1920s-'30s pencil eyebrows," she says, "He wanted them just to have a feeling of the period, but without having a screaming arrow to them."įincher, Oscar nominated for Best Director, says he was lured into casting Seyfried by the similarities she and Davies share. ![]() She was exactly who she was and you know, she had no shame from where she came from." You know, the Brooklynese was kind of, just, at the end of the day, when she took her shoes off and she grabbed her bottle of gin. "She was very unfiltered like I am, and she was very allergic to being dishonest, which I am absolutely. "Marion was a really talented actor, she had incredible range, she was really funny, and she was able to lighten any scene that she was in," says Seyfried. She became a siren of the silent movies in the 1920s, and ironed out her accent as she moved into talking pictures. She was born in Brooklyn and went from the Ziegfeld Follies to Hollywood. In real life, as in Mank, Davies was a starlet who lived a life of luxury with Hearst. It also received a nomination for Amanda Seyfried for Best Supporting Actress for her portrayal of Marion Davies. Hollywood still loves a story about itself, and this year, Mank, a film about Citizen Kane's screenwriter, Herman Mankiewicz, earned 10 Oscar nominations, including Best Picture. The fictionalized story of newspaper tycoon William Randolph Hearst didn't win a Best Picture Oscar in 1942, but it did win a Best Original Screenplay award. She's pictured above in 1932.Ĭitizen Kane is often regarded as the greatest film ever made. ![]() But there's also a woman in the story: Marion Davies, a silver screen star and mistress of William Randolph Heart. Mank is a biopic about the man who wrote Citizen Kane.
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